DEPARTED OSCAR WIN CAUSES INFERNAL AFFAIRS IN HONG KONG.
The triumph of Martin Scorsese’s The Departed at this year’s Oscars was a long overdue recognition of the director’s prodigious talents. It was also a great day for Hong Kong cinema. As a long-time aficionado of the genre, I felt very proud to see the American remake of Infernal Affairs, a Chinese crime thriller, feted in this way. I would have thought that the makers of the original film would have been even more delighted at the success of Departed, but this doesn’t seem to be the case. The co-writer and director of Infernal Affairs, Alan Mak, was quite outspoken when interviewed by the South China Morning Post the day after the Oscar ceremony. I’ve known Alan a long time. He was an assistant director on the first major film I worked on, Gen-X Cops, and I had acting roles (as policemen) in both Alan’s second film as director, Rave Fever, and Infernal Affairs 2, which he co-directed with Andrew Lau. He’s a smart, talented guy, and absolutely entitled to his opinion, but, in this instance, I think Alan should take a breath and look on the bright side. Whatever he feels about the relative merits of The Departed, the success of Scorsese’s film will undoubtedly mean the original Infernal Affairs trilogy will reach an even broader audience in the west. Film fans across the land will buy the Departed and Infernal Affairs DVDs, watch them back to back and make their own mind up as to each film’s relative merits. I’m certain that, in career terms, the Oscar victory of Departed will give a huge boost to the makers of Infernal Affairs, and deservedly so. Personally, I enjoyed both Infernal Affairs and The Departed equally. The main difference is that the Hong Kong version tends to never state what it can imply, while the American one never implies what it can state. In that sense, it spotlights the very different approach that each industry has to the same material. The success of The Departed is also overdue in another sense. Though American producers have been acquiring the remake rights to Hong Kong actioners for many years, The Departed marked the first time such a project actually hit the screen. I remember the pre-Internet buzz about a rumoured remake of John Woo’s The Killer, to star Richard Gere and Denzel Washington. There were also announcements of imminent Hollywood reworkings of Benny Chan’s Man Wanted, Johnny To’s The Mission and Ringo Lam’s Full Alert, though none has yet materialised. Departed’s Oscar win will make it easier for such projects to get green lit. My own philosophy on remakes has always followed John Huston’s: Why do they keep remaking the great films? Why not remake the bad ones ‘til they get them right?
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- Danne, Umeå, Sweden | 2007-03-12 20:13:25
- Daniel Zelter, L.A. | 2007-03-13 02:42:52
- JAY LEE, Denmark | 2007-03-18 09:36:00
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- Warren H, So. California | 2007-03-21 17:50:16
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- Challeng, Escondido | 2007-03-12 20:06:03